2023 News & Highlights
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July 14, 2023
Review: Tosca
Charlottesville, VA (Today y Mañana) - The Charlottesville Opera’s production of Puccini’s masterpiece, Tosca, is a team masterclass of artists and singers whose attention to detail and execution add so much depth to the experience as to leave you breathless to the last note! My wife and I could hardly clap due to the tension and sheer shock value. Even I, who knew how the opera would end, was not expecting the amount of tension being in the audience rather than watching a recording on television.
Our conversation following our exit from the theater covered such a wide range of topics as its hard to encapsulate in one review, but that testifies to the great range and depth of the performers, production team, and of course, the music.
The Production:
I have nothing but praise for the classic and yet inspired production, especially the work of Alek Shrader, the director of this production. From the start, the use of projections and on-stage effects blended in a believable and immersive manner. That’s exactly what helps set the stage for Puccini’s penetrating score.
The use of colored lights to highlight important scenes reminded me heavily of composer Aleksander Scriabin’s theories of blending color and music to achieve a heightened sense of drama and it was in perfect effect here. Act II and III certainly stand out as the choice of art behind the scenes did not distract, but enhanced and engaged with the action on stage. I don’t want to spoil the events of the opera, but I will mention that the Act III projection of St. Michael the Archangel with his sword on top of the Castel Sant’Angelo, which is the location of the event in the opera, has a powerful dialogue with the events of Act II regarding Tosca. Masterfully done.
Last but not least, Brian DeMaris’ baton extracted the best and most beautiful parts of Puccini’s music. I’ve always compared Puccini to a rich pastry, full of beauty and yet light and simple in execution. Maestro DeMaris handles the orchestra with great grace, allowing those moments where Puccini is the most luscious to hesitate, almost for a moment, so that the audience is suspended in this great beauty.
READ FULL REVIEW
Our conversation following our exit from the theater covered such a wide range of topics as its hard to encapsulate in one review, but that testifies to the great range and depth of the performers, production team, and of course, the music.
The Production:
I have nothing but praise for the classic and yet inspired production, especially the work of Alek Shrader, the director of this production. From the start, the use of projections and on-stage effects blended in a believable and immersive manner. That’s exactly what helps set the stage for Puccini’s penetrating score.
The use of colored lights to highlight important scenes reminded me heavily of composer Aleksander Scriabin’s theories of blending color and music to achieve a heightened sense of drama and it was in perfect effect here. Act II and III certainly stand out as the choice of art behind the scenes did not distract, but enhanced and engaged with the action on stage. I don’t want to spoil the events of the opera, but I will mention that the Act III projection of St. Michael the Archangel with his sword on top of the Castel Sant’Angelo, which is the location of the event in the opera, has a powerful dialogue with the events of Act II regarding Tosca. Masterfully done.
Last but not least, Brian DeMaris’ baton extracted the best and most beautiful parts of Puccini’s music. I’ve always compared Puccini to a rich pastry, full of beauty and yet light and simple in execution. Maestro DeMaris handles the orchestra with great grace, allowing those moments where Puccini is the most luscious to hesitate, almost for a moment, so that the audience is suspended in this great beauty.
READ FULL REVIEW
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July 13, 2023
Silent treatment: Jay Yñiguez in the HotSeat
Charlottesville, VA (C-VILLE Writers) - When the curtain goes up at the opera, it’s easy to get swept up in the glamorous costumes, impressive sets, and sweeping high notes. Perhaps less noticeable, but equally worthy of attention, are the supernumeraries. They move silently throughout the production, playing important, non-speaking roles, filling out crowds, and adding to the grandeur of the opera’s constructed world. In Charlottesville Opera’s Tosca, supers play critical roles like the cardinal, the bishop, and Roberti the Torturer. Jay Yñiguez is one of these supers, and he dishes on his dream role, proudest accomplishment, and more. See Tosca July 14 and July 16.
Name: Julian “Jay” Yñiguez.
Age: 46.
Hometown: Chicago, Illinois.
Jobs: Air Force officer, program manager.
Worst thing about living here: No Chicago pizza.
Best thing about living here: Mountains and all the camping.
Favorite restaurant: 106th Street.
Where do you start and end a night out: Starr Hill in Crozet, O’Barrio’s (my basement bar).
Who is your hero: My Dad.
Best advice you ever got: “Do it right the first time, so you don’t have to do it again!”
Proudest accomplishment: Every time my daughter makes a good decision, and retiring from the Air Force after 20 years.
Describe a perfect day: Hitching up our Airstream and heading to the mountains, setting up camp and fishing with my wife and daughter, a campfire with a dram of Colonel EH Taylor Single Barrel Bourbon.
What’s something about yourself that people would be surprised to learn: I gave the graduation speech at my college graduation.
If you could be reincarnated as a person or thing, what would you be: Apologies, but life doesn’t get much better than this. I’m so grateful for my family, friends and life experiences so far … Tosca is yet another cherry on top!
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Name: Julian “Jay” Yñiguez.
Age: 46.
Hometown: Chicago, Illinois.
Jobs: Air Force officer, program manager.
Worst thing about living here: No Chicago pizza.
Best thing about living here: Mountains and all the camping.
Favorite restaurant: 106th Street.
Where do you start and end a night out: Starr Hill in Crozet, O’Barrio’s (my basement bar).
Who is your hero: My Dad.
Best advice you ever got: “Do it right the first time, so you don’t have to do it again!”
Proudest accomplishment: Every time my daughter makes a good decision, and retiring from the Air Force after 20 years.
Describe a perfect day: Hitching up our Airstream and heading to the mountains, setting up camp and fishing with my wife and daughter, a campfire with a dram of Colonel EH Taylor Single Barrel Bourbon.
What’s something about yourself that people would be surprised to learn: I gave the graduation speech at my college graduation.
If you could be reincarnated as a person or thing, what would you be: Apologies, but life doesn’t get much better than this. I’m so grateful for my family, friends and life experiences so far … Tosca is yet another cherry on top!
READ FULL INTERVIEW
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July 12, 2023
For first time in history, Charlottesville Opera presents 'Tosca'
Charlottesville, VA (The Daily Progress) - For the first time in its 46-year history, Charlottesville Opera will be presenting a production of Giacomo Puccini’s “Tosca.” The new production, which will be presented at 7:30 p.m. Friday and 2 p.m. Sunday at the Paramount Theater, will be bringing a tale of passion, political turmoil, devotion and loyalty to a stage many believed was too small for the story.
“I’m very excited. A lot of people said it would be impossible to do ‘Tosca’ here because of the limitations of the space,” said Leanne Clement, producer and Charlottesville Opera’s general director.
Leading the cast are soprano Marsha Thompson as Floria Tosca, tenor Adam Diegel as Mario Cavaradossi and baritone Todd Thomas as Baron Scarpia. Together, they’ll invite audience members into an intense story of lovers in Rome who clash with a police chief who wants to arrest Cavaradossi’s close friend, an escaped political prisoner, and move in on the beautiful Tosca while her beloved Cavaradossi is wrongly imprisoned.
Tosca and Cavaradossi are deeply in love. Cavaradossi also is devoted to his friend Angelotti and has no intention of revealing his whereabouts to the dastardly Baron Scarpia.
“They’re caught up in the political turmoil, and it really informs the relationship,” Clement said. “What I see in this is these two individuals who are so hopeful and so optimistic. They are so in love with each other that they almost have blinders on.”
Tender, small details shaping the relationship between Tosca and Cavaradossi will ring true with audience members. Puccini’s writing makes it clear that “love and life are about these moments, and not just the big events in life,” Clement said.
If you’re hoping to persuade someone who’s new to opera to attend with you, Clement said “Tosca” is “a great first opera — for adults.”
“I think this is the quintessential opera,” Clement said. “It is what everyone expects an opera to be. It’s a tightly written show with great music and a great story. There’s death. There’s love.
“There’s no other opera that really does it better and does it more succinctly. Puccini doesn’t waste any notes. Each note is important and perfectly placed.”
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“I’m very excited. A lot of people said it would be impossible to do ‘Tosca’ here because of the limitations of the space,” said Leanne Clement, producer and Charlottesville Opera’s general director.
Leading the cast are soprano Marsha Thompson as Floria Tosca, tenor Adam Diegel as Mario Cavaradossi and baritone Todd Thomas as Baron Scarpia. Together, they’ll invite audience members into an intense story of lovers in Rome who clash with a police chief who wants to arrest Cavaradossi’s close friend, an escaped political prisoner, and move in on the beautiful Tosca while her beloved Cavaradossi is wrongly imprisoned.
Tosca and Cavaradossi are deeply in love. Cavaradossi also is devoted to his friend Angelotti and has no intention of revealing his whereabouts to the dastardly Baron Scarpia.
“They’re caught up in the political turmoil, and it really informs the relationship,” Clement said. “What I see in this is these two individuals who are so hopeful and so optimistic. They are so in love with each other that they almost have blinders on.”
Tender, small details shaping the relationship between Tosca and Cavaradossi will ring true with audience members. Puccini’s writing makes it clear that “love and life are about these moments, and not just the big events in life,” Clement said.
If you’re hoping to persuade someone who’s new to opera to attend with you, Clement said “Tosca” is “a great first opera — for adults.”
“I think this is the quintessential opera,” Clement said. “It is what everyone expects an opera to be. It’s a tightly written show with great music and a great story. There’s death. There’s love.
“There’s no other opera that really does it better and does it more succinctly. Puccini doesn’t waste any notes. Each note is important and perfectly placed.”
READ FULL ARTICLE
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June 20, 2023
Charlottesville Opera season opener is nicely, nicely chosen
Charlottesville, VA (The Daily Progress) - If summer travel isn’t in the cards this year, relax. Charlottesville Opera’s new production of “Guys and Dolls” offers destinations that are sure to please.
“The set is really exciting. People are going to feel transported to New York and Havana,” Leanne P. Clement, Charlottesville Opera’s general director, told The Daily Progress.
“Guys and Dolls,” the first production of the season, will be presented at 7:30 p.m. Friday, 2 and 7:30 p.m. Saturday and 2 p.m. Sunday at the Paramount Theater. Based on a story and characters by author Damon Runyon, the musical features music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows.
The show is filled with familiar songs, including “Luck Be a Lady,” as well as songs that people often don’t realize are in the show, such as “I’ve Never Been in Love Before” and “A Bushel and a Peck.”
Leading the cast are Keith Phares as suave gambler Sky Masterson, Elise Quagliata as urban missionary Sister Sarah Brown, Chauncey Packer as Nathan Detroit and Cree Carrico as Detroit’s long-suffering fiancée, Miss Adelaide. Clement said audience members can expect to see plenty of chemistry at play in the depictions of the story’s main couples.
“Our leads, Elise Quagliata and Keith Phares, have worked together quite a bit in the past,” Clement said.
Quagliata was a natural choice, because “she’s a master of creating characters, and we thought she would embody Sister Sarah Brown so well,” Clement said. As for Phares, “he’s such a beautiful singer,” she added. “He’s suave, he’s calm, and he’ll really embody this character of Sky Masterson. There really is nobody else.”
Playing Nathan Detroit, who runs an illegal floating craps game, is Packer, whose schedule is getting packed with Metropolitan Opera dates.
“Chauncey’s last two contracts have been at the Met, and he has another one coming up this fall,” Clement said. “He has always been so dynamic on stage.”
Carrico, who plays his love interest, Miss Adelaide, “is probably, of the entire cast, our most seasoned musical theater performer,” Clement said. “She is spot on. The audience is going to adore her.”
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“The set is really exciting. People are going to feel transported to New York and Havana,” Leanne P. Clement, Charlottesville Opera’s general director, told The Daily Progress.
“Guys and Dolls,” the first production of the season, will be presented at 7:30 p.m. Friday, 2 and 7:30 p.m. Saturday and 2 p.m. Sunday at the Paramount Theater. Based on a story and characters by author Damon Runyon, the musical features music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows.
The show is filled with familiar songs, including “Luck Be a Lady,” as well as songs that people often don’t realize are in the show, such as “I’ve Never Been in Love Before” and “A Bushel and a Peck.”
Leading the cast are Keith Phares as suave gambler Sky Masterson, Elise Quagliata as urban missionary Sister Sarah Brown, Chauncey Packer as Nathan Detroit and Cree Carrico as Detroit’s long-suffering fiancée, Miss Adelaide. Clement said audience members can expect to see plenty of chemistry at play in the depictions of the story’s main couples.
“Our leads, Elise Quagliata and Keith Phares, have worked together quite a bit in the past,” Clement said.
Quagliata was a natural choice, because “she’s a master of creating characters, and we thought she would embody Sister Sarah Brown so well,” Clement said. As for Phares, “he’s such a beautiful singer,” she added. “He’s suave, he’s calm, and he’ll really embody this character of Sky Masterson. There really is nobody else.”
Playing Nathan Detroit, who runs an illegal floating craps game, is Packer, whose schedule is getting packed with Metropolitan Opera dates.
“Chauncey’s last two contracts have been at the Met, and he has another one coming up this fall,” Clement said. “He has always been so dynamic on stage.”
Carrico, who plays his love interest, Miss Adelaide, “is probably, of the entire cast, our most seasoned musical theater performer,” Clement said. “She is spot on. The audience is going to adore her.”
READ FULL ARTICLE
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Education Initiative: Storytelling through Opera
with The Boys and Girls Clubs of Central Virginia
Charlottesville, VA – In February and March of 2023, Charlottesville Opera began a new education initiative aimed at storytelling through opera. The initiative took place in conjunction with The Boys and Girls Clubs of Central Virginia, specifically the Journey and Cherry Avenue locations. Students took part in a 6 week series of sessions during which they
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- learned about opera,
- wrote their own stories,
- created costumes,
- built sets,
- worked with singers to discover characters' emotions, and
- presented the opera to the rest of their club members.
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Two Classics Make Their Debut at Charlottesville Opera
(Charlottesville, VA) – Charlottesville Opera has announced plans to present two shows in the 2023 season that have never been produced in the company’s 45-year history: Frank Loesser’s Guys and Dolls and Giacomo Puccini’s Tosca. “We are excited to present these classic productions for our audience here in Charlottesville. Both shows exemplify what we all love about musical storytelling, great characters and captivating melodies,” says General Director Dr. Leanne Clement.
Guys and Dolls was the winner of the 1950 Tony Award for Best Musical and the 1951 Pulitzer Prize for drama. The show follows the unlikely love story of Sister Sarah Brown, a missionary trying to evangelize the wicked of New York City, and Sky Masterson, a high stakes gambler who has a hard time turning down any bet. Leading the cast of Guys and Dolls is Keith Phares as Sky Masterson. Opera News calls Phares’ voice a “fine lyric baritone” with “velvety beauty,” making him the perfect choice for the suave crooner. Mezzo-soprano Elise Quagliata stars alongside Phares as Sister Sarah Brown. The New York Times praised her performance with New York City Opera as “vocally and physically nuanced… vividly conveying the evolution of the character.”
Tosca is one of the top five most popular operas in the repertoire today. Puccini’s beautiful melodies permeate the story of a deadly love triangle set in Rome during the tumultuous time of Napoleon’s invasion. Mario Cavaradossi’s loyalty to his friends and country threatens his life. His love, Floria Tosca, attempts to obtain his freedom from the manipulative Baron Scarpia, who wants Tosca as his own. Veteran singing actor Todd Thomas appears as Baron Scarpia, a role he is also scheduled to sing for Florida Grand Opera earlier in 2023. Tenor Adam Diegel takes on the role of Cavaradossi, which he has previously sung with Seattle Opera, Palm Beach Opera, and most recently Opera Santa Barbara. Operawire.com describes Diegel’s voice as a “bright and shimmering lyric tenor.” In the title role, soprano Marsha Thompson leads the cast. A winner of the prestigious Licia Albanese-Puccini Foundation Award, and a student of the Marilyn Horne, Opera News praised her for singing “with a cascade of refined yet plush Italianate sound.”
Local performers will also be featured. Dr. Caroline Worra, Charlottesville Opera’s Artistic Director, comments, “The success of our last season was made possible by the incredible local singers who joined us as choristers. We are excited to once again offer opportunities for these individuals to work alongside world class professionals from across the country.”
Tosca and Guys and Dolls appear as the centerpiece of Charlottesville Opera’s 46th festival season that also offers concerts and semi-staged performances in various venues throughout June and July 2023. Performances will be held at The Paramount Theater. Dates and times to be announced.
Guys and Dolls was the winner of the 1950 Tony Award for Best Musical and the 1951 Pulitzer Prize for drama. The show follows the unlikely love story of Sister Sarah Brown, a missionary trying to evangelize the wicked of New York City, and Sky Masterson, a high stakes gambler who has a hard time turning down any bet. Leading the cast of Guys and Dolls is Keith Phares as Sky Masterson. Opera News calls Phares’ voice a “fine lyric baritone” with “velvety beauty,” making him the perfect choice for the suave crooner. Mezzo-soprano Elise Quagliata stars alongside Phares as Sister Sarah Brown. The New York Times praised her performance with New York City Opera as “vocally and physically nuanced… vividly conveying the evolution of the character.”
Tosca is one of the top five most popular operas in the repertoire today. Puccini’s beautiful melodies permeate the story of a deadly love triangle set in Rome during the tumultuous time of Napoleon’s invasion. Mario Cavaradossi’s loyalty to his friends and country threatens his life. His love, Floria Tosca, attempts to obtain his freedom from the manipulative Baron Scarpia, who wants Tosca as his own. Veteran singing actor Todd Thomas appears as Baron Scarpia, a role he is also scheduled to sing for Florida Grand Opera earlier in 2023. Tenor Adam Diegel takes on the role of Cavaradossi, which he has previously sung with Seattle Opera, Palm Beach Opera, and most recently Opera Santa Barbara. Operawire.com describes Diegel’s voice as a “bright and shimmering lyric tenor.” In the title role, soprano Marsha Thompson leads the cast. A winner of the prestigious Licia Albanese-Puccini Foundation Award, and a student of the Marilyn Horne, Opera News praised her for singing “with a cascade of refined yet plush Italianate sound.”
Local performers will also be featured. Dr. Caroline Worra, Charlottesville Opera’s Artistic Director, comments, “The success of our last season was made possible by the incredible local singers who joined us as choristers. We are excited to once again offer opportunities for these individuals to work alongside world class professionals from across the country.”
Tosca and Guys and Dolls appear as the centerpiece of Charlottesville Opera’s 46th festival season that also offers concerts and semi-staged performances in various venues throughout June and July 2023. Performances will be held at The Paramount Theater. Dates and times to be announced.
2022 News & Highlights
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'Merry Widow' offers lighthearted fun in operetta setting
CHARLOTTESVILLE, Va (The Daily Progress) - If you’re still trying to shake pandemic doldrums, nothing fuels a can-do spirit quite like a can-can.
When Charlottesville Opera opens its second production of the season, Franz Lehar’s “The Merry Widow,” on Friday at Paramount Theater, audience members will see plenty of dancing. There’s a vibrant cast of internationally lauded performers, a team of up-and-coming singers from the company’s Ader Emerging Artists ranks and a chorus filled with Charlottesville-area children and adults.
And its stars bring a rare spark that blends their skills at singing and comedy. Caroline Worra, Charlottesville Opera’s new artistic director, stars as Hanna Glawari — the “merry widow” of the title — and Richard Troxell is Count Danilo. They’ve performed the roles together before.
“The two of them have this great comedic chemistry,” said Leanne Pettit Clement, Charlottesville Opera’s general director.
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When Charlottesville Opera opens its second production of the season, Franz Lehar’s “The Merry Widow,” on Friday at Paramount Theater, audience members will see plenty of dancing. There’s a vibrant cast of internationally lauded performers, a team of up-and-coming singers from the company’s Ader Emerging Artists ranks and a chorus filled with Charlottesville-area children and adults.
And its stars bring a rare spark that blends their skills at singing and comedy. Caroline Worra, Charlottesville Opera’s new artistic director, stars as Hanna Glawari — the “merry widow” of the title — and Richard Troxell is Count Danilo. They’ve performed the roles together before.
“The two of them have this great comedic chemistry,” said Leanne Pettit Clement, Charlottesville Opera’s general director.
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Opinion/Letter: Opera brings smiles, laughter
CHARLOTTESVILLE, Va (The Daily Progress) - I'd recommend this to all my girlfriends,” my wife said to me as we exited the theater last night, still smiling and humming the charming melodies and reminiscing the hilarious moments from the Charlottesville Opera’s English language production of Franz Lehar’s toe-tapping, hilarious comedy, “The Merry Widow.”
A small group of children laughed to the left of us, having just been rewarded with a tour of our historic Paramount Theater just minutes before by Dr. Leanne Clement, general director of the Charlottesville Opera. It was easy to understand why they were laughing as well. Their top-notch production incorporated layers of comedy for all ages. The zany acting by the cast appealed to children without interfering with the witty verbal comedy that adults enjoy. My wife and I were both rolling in the balcony with laughter and jumped to our feet, swelling with adrenaline from the whirlwind energy at the finale.
Having been weaned on opera since I was a child, I felt at home with “The Merry Widow,” but it was refreshing to hear my wife, a newcomer to the genre, say that she could not only find laughter, but also appreciation for what opera promises to operagoers: the refined beauty of the human voice in music.
Every member of the cast from Dr. Caroline Worra, Richard Troxell, Katie Henley, to Andrew Stenson shined in their roles. Dr. Caroline is a veritable star whose voice could fill your soul with music as easily as it filled the theater.
It was a special evening and I recommend it to everyone in our greater Charlottesville area. Please consider seeing “The Merry Widow” this weekend, you will laugh, cheer, and experience beauty at its best.
Nickolas Urpi
Charlottesville
A small group of children laughed to the left of us, having just been rewarded with a tour of our historic Paramount Theater just minutes before by Dr. Leanne Clement, general director of the Charlottesville Opera. It was easy to understand why they were laughing as well. Their top-notch production incorporated layers of comedy for all ages. The zany acting by the cast appealed to children without interfering with the witty verbal comedy that adults enjoy. My wife and I were both rolling in the balcony with laughter and jumped to our feet, swelling with adrenaline from the whirlwind energy at the finale.
Having been weaned on opera since I was a child, I felt at home with “The Merry Widow,” but it was refreshing to hear my wife, a newcomer to the genre, say that she could not only find laughter, but also appreciation for what opera promises to operagoers: the refined beauty of the human voice in music.
Every member of the cast from Dr. Caroline Worra, Richard Troxell, Katie Henley, to Andrew Stenson shined in their roles. Dr. Caroline is a veritable star whose voice could fill your soul with music as easily as it filled the theater.
It was a special evening and I recommend it to everyone in our greater Charlottesville area. Please consider seeing “The Merry Widow” this weekend, you will laugh, cheer, and experience beauty at its best.
Nickolas Urpi
Charlottesville
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'Sound of Music' brings 'butterfly feeling' back to the Paramount
CHARLOTTESVILLE, Va (The Daily Progress) - Audiences expect stirring moments in “The Sound of Music” — everything from humor to loyalty to love. But since the pandemic began stirring feelings of isolation and fear, the timeless Richard Rodgers and Oscar Hammerstein II musical has a way of bringing out a different emotion with its message of freedom.
“It’s very liberating,” said Leanne P. Clement, the new general director of Charlottesville Opera. “After being kept in a cocoon and coming out of the cocoon, there’s a butterfly feeling.”
“The Sound of Music” will be presented at 7 p.m. Thursday, Friday and Saturday and 2 p.m. Sunday to open Charlottesville Opera’s new season at the Paramount Theater. The 127-member opera company will be back at the Paramount for the first time since the pandemic began.
For Clement and her team, “there’s a lot of gratitude. People are passionate, but overall, people are grateful to be back in the space doing the things we love."
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“It’s very liberating,” said Leanne P. Clement, the new general director of Charlottesville Opera. “After being kept in a cocoon and coming out of the cocoon, there’s a butterfly feeling.”
“The Sound of Music” will be presented at 7 p.m. Thursday, Friday and Saturday and 2 p.m. Sunday to open Charlottesville Opera’s new season at the Paramount Theater. The 127-member opera company will be back at the Paramount for the first time since the pandemic began.
For Clement and her team, “there’s a lot of gratitude. People are passionate, but overall, people are grateful to be back in the space doing the things we love."
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Auditions are underway for Charlottesville Opera
CHARLOTTESVILLE, Va. (WVIR) - If you love to sing and act, there’s a perfect opportunity for you: Charlottesville Opera is gearing up for auditions!
“This summer we will be producing the Sound of Music and the Merry Widow as part of our 45th season, and we want you. It’s audition season. If you’re interested in our emerging artist program - being a part of the chorus, an acting role, one of the children’s roles 5 to 16 - we want to hear from you,” Artistic Director Caroline Worra said.
The audition deadline for emerging artists is February 14. All of the others are due by February 16.
“This summer we will be producing the Sound of Music and the Merry Widow as part of our 45th season, and we want you. It’s audition season. If you’re interested in our emerging artist program - being a part of the chorus, an acting role, one of the children’s roles 5 to 16 - we want to hear from you,” Artistic Director Caroline Worra said.
The audition deadline for emerging artists is February 14. All of the others are due by February 16.
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Charlottesville Opera Announced the Appointment of Caroline Worra as Artistic Director
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Charlottesville, VA (October 13, 2021) — David Newkirk, Chair of Charlottesville Opera’s Board of Directors and Christina Deaton DeMarea, General Director, today announced that Caroline Worra has been named Artistic Director of the nonprofit company, effective immediately.
Hailed by Opera News as “one of the finest singing actresses around,” Worra has sung over 90 roles, from over 70 operas, including 20 world, American and regional premieres. She has worked with over 80 different opera companies including The Metropolitan Opera, The Lyric Opera of Chicago, Boston Lyric Opera. She performed six seasons at both Glimmerglass Opera and New York City Opera. Worra also performed on two U.S. National Tours with San Francisco’s Merola/Western Opera Theatre singing Violetta in La Traviata and Rosalinda in Die Fledermaus. She also has excelled as an outstanding vocal coach known for her emphasis on superior technique. |
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Said Worra, “I am thrilled to accept this new position as Artistic Director especially after having served as Director of Charlottesville Opera’s Emerging Artist Program in 2021. I know first hand the high quality of the company’s performances with professionals from across the country.”
Said Newkirk, “Having a world acclaimed artist of Caroline’s stature committed to Charlottesville Opera is a tribute to the quality of this company and our community. We look forward to the leadership she will bring.”
Said DeMarea, “Having known Caroline for many years, I am thrilled that she has accepted this important position. She contributed immeasurably to last season’s incredible success in the midst of a pandemic and will bring extraordinary artistry to our exciting 2022 season.”
Worra will work closely with the Charlottesville Opera Board of Directors to advance the company’s artistic vision, build the artistic team, contribute to its position in the opera industry and continue the high quality of the company's musical performances to enrich the Charlottesville community.
Said Newkirk, “Having a world acclaimed artist of Caroline’s stature committed to Charlottesville Opera is a tribute to the quality of this company and our community. We look forward to the leadership she will bring.”
Said DeMarea, “Having known Caroline for many years, I am thrilled that she has accepted this important position. She contributed immeasurably to last season’s incredible success in the midst of a pandemic and will bring extraordinary artistry to our exciting 2022 season.”
Worra will work closely with the Charlottesville Opera Board of Directors to advance the company’s artistic vision, build the artistic team, contribute to its position in the opera industry and continue the high quality of the company's musical performances to enrich the Charlottesville community.
2021 News & Highlights
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Charlottesville Opera marks the city's return to live theatre
image via CBS19.com
CHARLOTTESVILLE, Va (CBS19 News)--After nearly 18 months away from the stage, live theatre is back in town.
The Charlottesville Opera opened their production of "La Boheme" Thursday night at the Ting Pavilion.
According to the opera, this is the first theatrical production ever on the pavilion stage.
They say it's one of the first live theatre performances to come back anywhere in the country.
One actress says she’s overjoyed.
"Just having a moment together, ya know, that's what we're here for in a live performance. to create this beautiful moment and allow ourselves to dive into some emotions and things that I think we all need to do together as a community,” said Jessica E. Jones, singing the lead role of Musetta.
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Charlottesville Opera prepares for return to stage with historic performance
image via NBC29.com
CHARLOTTESVILLE, Va. (WVIR) - For the first time ever, an opera is coming to Charlottesville’s Ting Pavilion and for many performers, it’s the first time they’ve been on stage in front of a crowd in over a year.
Charlottesville Opera is turning the page from pandemic to performance.
“Just enjoying making art again has meant so much to us,” said Stephanie Havey, the director.
In front of a small ‘rehearsal’ audience on Wednesday, the Opera prepared for its first showing of La Bohème on Thursday, which will be performed in front of a larger crowd at the Ting Pavilion.
“That vibrancy of having an audience and understanding that shared experience is unlike anything else,” said Jessica E. Jones, who plays the role of Musetta.
The audience on Thursday, and for the second show on Saturday, will be watching these opera singers in the pavilion’s first-ever theatrical performance.
“There’s just that added energy,” said Charlottesville Opera General Director Christina DeMarea. “There would already be energy in such a cool space and being outdoors, but it’s just heightened up that much more.”
The opera is set in Paris just before the 1968 protests. Havey says the similarities between the show and our current world make this performance really timely.
“This is a joyful story that centers on a love story, but it’s also within the context of unrest in the world,” she said. “We hope that audiences will be able to connect directly into the story that we’re telling.”
That story is soon to be shared together with an audience after over a year of separation.
“Being able to connect to people, and to be able to hopefully change their lives in some small way for a minute, for a night, for a moment, maybe for a longer time than that, and to create a little beauty in their lives,” Jones said.
Charlottesville Opera says it has used the new technology, like the pavilion’s LED screens, to create an atmosphere and setting that connects Paris in the ‘60s to our current world.
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Charlottesville Opera launches 43rd season by singing in IX Art Park
In years past, Charlottesville’s opera fans spent summer evenings settling into seats among the boxwoods at James Monroe’s Highland estate. They listened to stirring arias as stars began shimmering in the sky behind the stars on the stage. And, if you were lucky, you might hear a peacock shrieking its approval of a coloratura soprano’s sparkling turn.
This weekend, Charlottesville Opera is heading back outdoors to open its 43rd season, keeping pandemic safety precautions in mind while offering a fond nod to tradition. Performances of “Broadway in the Park” will begin at 7 p.m. Friday and Saturday at IX Art Park, and although listeners will hear some ambient traffic sounds, no peacock feathers will be ruffled in the making of the music.
For listeners, it’s an opportunity to get outside and spend a summer evening revisiting favorite musical theater songs and soaking in new-to-you Broadway tunes.
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CBS19 News
Thank you to Sarah Robinson of CBS19 News: Charlottesville News First for this article highlighting love at the opera!
CHARLOTTESVILLE, Va. (CBS19 NEWS) -- The pandemic has affected everyone, and has made life harder in numerous ways, but love is one thing that keeps people going, even through hardship.
Bob Bennetta and his partner Diana have been together now for 15 years. He says her support in all of his endeavors is so special to him. "I played right around the corner at Fellini's for 16 years. I'm a pianist. And, she was there for almost every gig for almost 15 years. So, that's pretty good,” said Bennetta. They chose to keep it simple this year, but he was on the hunt for one special gift for his number one person. “One beautiful rose, you know, with greenery and baby's breath all around it like that," he said.
Another couple, Sanjin and Alex, are celebrating four years spent together. They shared what makes them a perfect match for each other. "Her ability to smile in all sorts of situations,” said Sanjin. “I really appreciate his humor, and his commitment to his goals, and his values," added Alex. Alyssa and Skyler are relatively new to each other, but their love for one another runs deep. "We're actually in law school together so we met through our law school classes. I love how amazingly supportive he is in all of the things that I do,” said Alyssa. “She is incredibly kind and patient," added Skyler.
Tascha Anderson and Michael Gray have a unique story as well. They met through the Charlottesville Opera in 2019.
Their love of the performing arts created a special bond. “We were hired to do the Tragedy of Carmen. I was Carmen, the title role, and he was Don Jose, my opposite. So, we were both the leads,” said Anderson. They tried to keep their relationship strictly professional. The chemistry between them had other plans. Within weeks, they were in love and this past Christmas Eve, they got engaged. While Anderson had a hunch a proposal might be coming, her unique ring was a surprise.
"Michael actually made my ring. It's a piece of silver that he made into a ring. His mother, an amazing mother, gifted me her engagement ring as well, so I have that on my other hand," she said. Since creativity brought them together, he thought it was only fair to bring a creative flair to the proposal, so he followed a tutorial on YouTube. Anderson and Gray recently made a video with the Charlottesville Opera to celebrate their love. Watch it here.
Bob Bennetta and his partner Diana have been together now for 15 years. He says her support in all of his endeavors is so special to him. "I played right around the corner at Fellini's for 16 years. I'm a pianist. And, she was there for almost every gig for almost 15 years. So, that's pretty good,” said Bennetta. They chose to keep it simple this year, but he was on the hunt for one special gift for his number one person. “One beautiful rose, you know, with greenery and baby's breath all around it like that," he said.
Another couple, Sanjin and Alex, are celebrating four years spent together. They shared what makes them a perfect match for each other. "Her ability to smile in all sorts of situations,” said Sanjin. “I really appreciate his humor, and his commitment to his goals, and his values," added Alex. Alyssa and Skyler are relatively new to each other, but their love for one another runs deep. "We're actually in law school together so we met through our law school classes. I love how amazingly supportive he is in all of the things that I do,” said Alyssa. “She is incredibly kind and patient," added Skyler.
Tascha Anderson and Michael Gray have a unique story as well. They met through the Charlottesville Opera in 2019.
Their love of the performing arts created a special bond. “We were hired to do the Tragedy of Carmen. I was Carmen, the title role, and he was Don Jose, my opposite. So, we were both the leads,” said Anderson. They tried to keep their relationship strictly professional. The chemistry between them had other plans. Within weeks, they were in love and this past Christmas Eve, they got engaged. While Anderson had a hunch a proposal might be coming, her unique ring was a surprise.
"Michael actually made my ring. It's a piece of silver that he made into a ring. His mother, an amazing mother, gifted me her engagement ring as well, so I have that on my other hand," she said. Since creativity brought them together, he thought it was only fair to bring a creative flair to the proposal, so he followed a tutorial on YouTube. Anderson and Gray recently made a video with the Charlottesville Opera to celebrate their love. Watch it here.